REVIEWS

Pungent Stench
Thursday 9th January, 2003.
Amplifier Bar, Perth.

Review by Junak

A promising start to the night with people galore already starting to pack into the Amplifier Bar early on in the night, even tales of the little kiddies getting knocked back by the Amplifier staff. Everybody was ready for those perverted Austrian guys PUNGENT STENCH, almost 10 years after their last visit to Perth.

MAXIMUM PERVERSION
There could be no better support to Pungent Stench than our own local gore boys, Maxi P. The room was packed with people keen on seeing our local boys show em how its done. Things started to shape up as a fun night as Maximum Perversion come out wearing assorted costumes, including some arabian flavour, perhaps celebrating the opening of the kebab shop next to the Amplifier.

These guys aren't all costumes and fun, they certainly know how to grind, smashing the packed room with furious riffs, gore obssessed lyrics and pounding beats. They really performed well and why not in front of a big home crowd. A great show not only behind their instruments but also fun on stage as well. I commend Maximum Perversion for their excellent opening act and really showed the Perth metal heads what damage the local boys can do.

BLACK STEEL
I don't think many people managed to digest the Black Steel support for this gig very well, power metal not fitting in well into this scenario? Who knows, but they managed to half the size of the room Maximum Perversion had without any problems. Never the less, the metal flows on..

Clad with leather chaps Black Steel take the stage with their usual melodic battle like intro and begin to proceed with their battlefield duties. These boys are a very talented band and it's great to see such talent in our local scene, they proceeded by busting out the classics and a fantastic new song as well. A good show by the boys, and the idea of mixing up genres at the gig not a bad one, albeit half the crowd disagreeing.

After Black Steel's show the wait was now on for PUNGENT STENCH to arrive on stage..

PUNGENT STENCH
Here they come busting onto the stage, and who would have thought their image matched the name of their band, those crazy Austrians jump onto stage wearing some kind of see through jocks. Looking around you could definatly see all the ladies having a gander. So let the fun begin...

The 3 piece start to play out their classic death style that we all love, all the drunk people making their way to the front of the stage to begin the carnage. Playing their old and new songs all night, we heard some classics such as Shrunken and Mummified Bitch to the newer stuff like Schools Out Forever. Pungent Stench also suprising and pleasing the crowds with a couple loved cover songs.

Alright almost an hour is gone and Pungent leave the stage for the first time, we all know they are gonna come back right, yeah of course...claiming they are going to play 2 maybe 3 songs. Nope, they continuted to entertain the wild crowd for another 30-40 mins, coming back onto stage with their own version of "La Bamba" !? A strange selection I must say, but pleasing to hear never the less. After stuffing up their exit a couple times it finally came time to say goodbye, and after the first couple fizzles they went out with a bang, with an entertaining closure of crazy on stage antics, jumping over each other and what not. I didn't know when to start and stop clapping it felt like it went forever!

Great show by Pungent Stench, very entertaining, and its good to see an international visit out shores, for not once but a 2nd time.

PRIMAL AGONY WEB-ZINE REVIEW 
 
MAXIMUM PERVERSION - 
"REPUGNANT PERTURBATION EXCURSION" (KEN MUSIC)

Perth's Maximum Perversion are described as grind metal which is more in line with older Napalm Death grind style but I would also tag them with good old fashioned Death Metal.
Lyrically they tackle your sick and twisted topics like terminal constipation, excised genitals, flashers and people who lick the floor of public toilets. All gross subjects that are delivered through a three pronged vocal attack that is very effective and adds to the dynamics of the band.
Opening with the title track they instantly show their intentions with a burst of drums and settle into some riffy Death Metal. The funny titled "John Bobbit (She Chopped It)" reeks with Death Metal groove as does "Bill Bass' Body Shop" which almost has a sing-along chorus and could be extreme metals answer to stadium rock, very catchy indeed.
The thing about this album is it's no matter if they are blasting away at top speed on tracks like "F.D.S.", providing some hell good Death/Thrash riffs, just check out "Heaven's Gate" or creating slower deathy moments (although not many) it all sounds of the highest standards.
They don't muck around getting through the songs either with a running time of 21 minutes over nine songs. While the songs may be short in that space they deliver maximum metal to your senses and pound them hard leaving you wanting more.
Another Aussie album well worth adding to your list of must get albums. 

Ian Busch


EXTREME NOISE MAGAZINE REVIEW

MAXIMUM PERVERSION ‘Repugnant Perturbation Excursion’ KEN MUSIC 
Sometime this year, four depraved youngsters gathered in the foulest public toilet Perth had to offer. There they collectively dropped their trousers and excreted 21 minutes of pure grinding noise onto wax. ‘Repugnant Perturbation Excursion’ was born. When I say excreted, I mean it in the nicest possible way, because this album is far from a pile of shit. In fact, it’s pretty damn good. Maximum Perversion have no room for frills and deliver short sharp bursts of concentrated noise that would have made the likes of Napalm Death (circa 1987) proud. And like so many of their gore/grind compatriots, sick
humor and wry social commentary lies barely disguised beneath the violence and pain. ‘Caramel Corpse’ places a brand new twist on death by injecting confectionary into grind’s traditional fascination with rotting corpses, while the perverted quartet give an obligatory nod to white trash’s most infamous couple with ‘John Bobbit (She Chopped It)’. Its official kids perversion is fun. Mark Hebblewhite


FULL STRENGTH WEB-ZINE REVIEW:

MAXIMUM PERVERSION 
Repugnant Perturbation Excursion /Ken Music

Maximum Perversion certainly live up to their name! The Western Australian grindcore/death metal bands 'Repugnant Perturbation Excursion' album is full of excellent quality music and disgusting, vile yet humorous lyrics. Grindcore fans are sure to like this album or even metal fans who are just after a laugh!. There is no question that the band is tight and the musicianship is of a high standard and the production is also quite good too, so what are the cons of the album? Well, you could see this album in 2 different lights. #1: a hilariously disgusting and perverted metal album or #2: Is of a good quality musically but immature lyrically, like something a pre-pubescent boy would write. Some songs do stand out from the rest, including 'Bill Bass' Body Shop', 'Heaven's Gate' and 'F.D.S'. As i said its a tough album to judge, so its best you make your own decision. Check out the band on the web at www.groovedrop.com/maxperv

Review by Ronnie Kerswell from TERRORIZER MAGAZINE (UK)
Issue #94 Nov 2001

MAXIMUM PERVERSION - 
'Repugnant Perturbation Excursion' / 'KEN MUSIC'

Straight from the underworld of Oz, 'Repugnant Perturbation Excursion' is a similar experience to putting your knzckers in a vice just for a laugh. It's pleasure, it's pain, it's a veritable aural hatchet job of the most brutal kind.  With vocals only Neighbor's Madge could rival in gravely intensity, this deviant foursome push the boundaries of perversion to another level. Topics such a s excised genitals, terminal constipation and people who would lick the floor of a public lavatory form the subject matter for their twisted litanies.  'John Bobbit (She Chopped It)' is as fierce as the name suggests, the groove driven by the mortar-bomb explosion of the bass with guitars that drive off at 111 mph.  Complicated and precise drumming is displayed to the full during the verse of 'Thy Ice Cream' and the whole album reeks of putrefaction to coin a phrase. If you thought Home and Away was Australia's answer to Hell....
Think again.

MAXIMUS GLUTEUS
MAXIMUM PERVERSION CD LAUNCH
Grosvenor Backroom
Friday, August 24, 2001

Speaking of mental illness, Maximum Perversion finally got their chance to play as the crowd waned, but this didn't deter the scamps from putting on a killer performance.
Their debut CD had been waiting in the wings for a frustratingly long time but judging by tonight's show, it was well worth the wait. The set was wickedly precise and to the point and songs such as The Ballad of Unhygenic-Man feature some very snappy time changes and imaginative structures, whilst remaining true to the heavy end of the spectrum.
Don't let their clean-cut appearance and demeanor fool you, because underneath lies a gleefully sick sense of humour and willingness to upend their chosen style in new and refreshing ways. Throwaway comparisons? Think of a warped cross between early Suicidal Tendencies and the death sensibilities of Cradle of Filth and you might be getting close, but these soon fall by the way side as they sculpt a sound which is very much their own.
All the wonderful potty humour and berserk effects made for an all too brief yet satisfying set, proving that they are one of the more underrated and forward thinking metal acts around. With tongue planted firmly in cheek (or the gutter depending on your view point) these guys are the musical equivalent of a particularly ruse South Park episode. Now there's something to admire.
-SCOTT WOODSIDE.

(June 2001)
MAXIMUM PERVERSION: Repugnant Perturbation Excursion

With their re-release of the popular underground CD "Repugnant 
Perturbation Excursion", it seems that the perverts have hit the grind 
nail on its head. The album opens with a sample of Jack Nicholson 
going ape-shit in Kubrick's "The Shining", before the title track 
launches into some of the most insane grind musical warping I've 
heard. Some of the slower more groovy songs like "John Bobbit: She 
chopped it!" and "Bill Bass' Body Shop" are as catchy as all fuck, 
whilst songs like "F.D.S" and "Caramel Corpse" show that Maximum 
Perversion are the leaders of the Perth insane bitch slut fuck cunt 
grindcore scene. Coinciding with the amazing music are three different 
vocal styles, guitarist Jon with the low end Glen Bentonish vocals, 
drummer Dan with "I have a razor blade tearing through my vocal 
chords" vocals and bassist Andrew with the "I'm fucking crazy" vocals. 
Jason doesn't do any vocals but that doesn't matter. The lyrical 
genius shines through these vocals, with such quotes like "Theological 
premonition...Incongruous: your religion...An Obsequial 
life-ambition... suicide for science fiction!" and "Fucking 
Diarrhorrea Slut! Hot stuff coming out your butt!" 
Bottom line is: If you like excellent grind, then you'd be an absolute 
idiot to look any further than Maximum Perversion's Repugnant 
Perturbation Excursion. Get it or be insane. It's A1. Oh and Dan. Got 
a light? You rock star. A1. 


FAT BEATS & DIRTY TREATS: CHOKE, THE DIRTY WHITTLER,
JED WHITEY AND MAXIMUM PERVERSION Amplifier Bar 5/5/00

   I was pretty anxious to see this gig for at least a week beforehand. After I realized I hadn't seen a straight-out metal gig for…probably a year. So after a quick listen of GODFLESH to prepare me, I headed out to the Amplifier Bar to see some fist-pounding, head-banging, flannel-wearing rock action.

   There was a reasonable amount of people there early on to see the opening band: MAXIMUM PERVERSION. After a brief sound check, four clean cut looking guys strapped on their instruments and politely greeted the crowd, before launching into a set of early 80s blastcore/thrashy/death metal that diverted attention away from any conversation taking place… or those glancing at ALIEN3 on the screen. MP play/screech/growl and squeal sometimes louder than their instruments do, And most of the songs played tonight were less than a few minutes long…so I'm not exactly sure which songs they did, since this was my first exposure to their material. Unlike most bands related to their genre, MP throw a few surprises in their sound to keep the audience interested - changing tempo and guitar settings at breakneck pace. The show was over it seemed in a matter of minutes. And they reluctantly packed up their gear over the screams of "ENCORE"
-Wayne Gent

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